December 18, 2009

Punk on a Prayer Mat

Punk On A Prayer Mat
Australian/Indonesian. Vegan. Muslim. Left-Wing. Punk. Hijabi. These words seem so disjointed when you isolate them but collectively these words describe, basically, who I am. Strange, huh? It wasn’t long ago when I’d look at these words and feel a great sense of loneliness in my gut.

A little over a year ago, I Googled the words “Muslim Punk” and found a couple of Myspace pages, including The Muslim Punk Foundation and The Kominas music page. I had a look around and a listen but for some strange reason, I didn’t feel any kind of connection with it. To be quite honest, it all seemed pretty dead to me. For a whole year, I ignored what could have saved me from feeling like an outsider every single day of my life.

It wasn’t until around June this year that I decided to re-visit Google and type in the exact same words. This time around, however, I decided to do a bit more than to look around two pages because something told me that there had to be more people out there like me.
I found a beautiful girl from the UK named Tabzy whose blog made me feel like I had found my fucking twin. The title of her blog is “Ramblings of a Not-Very-Hardcore Muslim Punk” and her blurb pretty much described everything I wanted to say to the world in regards to my identity.
I discovered an awesome band from Chicago named Al-Thawra (“The Revolution” in Arabic) when I never would have imagined a blend of crust-punk and traditional Middle Eastern music actually working and sounding brutally awesome.
I came across a brilliant playwright with ridiculous amounts of talent who goes by the name Sabina England – a deaf anarchist who is brown, female and Muslim.
And it was back to The Kominas for me that very day too, four punks who decided it was okay to question religion and not necessarily reject it.
Also, I found Eyad Zahra, a Muslim director based in California who is working on the motion picture inspired by the novel The Taqwacores – a book written by Michael Mohammed Knight that brought these punks together and gave them a name that embodied their ideas without having to be defined by anybody on the outside looking in.
It wasn’t even the idea of Taqwacore that got me. It was the fact that I had found a diverse array of people – each and every one of them with a different idea about what Islam and punk meant to them. The thing is I probably don’t even share the same lifestyle and/or life philosophy as these people but it doesn’t matter because essentially, we share Islam and punk as the basis of our beliefs and through these people, I have cyber-met a dozen other wonderful people.

I hadn’t read the The Taqwacores until a few days ago when my friend Luke texted me saying “Bring $23, we have The Taqwacores!” whilst on my way to Jura Books. I had no cash on me so I had to borrow the money but that didn’t matter – I had to get my hands on this book no matter what. So I read it on the train ride home, before I went to bed that night, in between waiting for my slow-arse laptop to load pages, during commercial breaks and on every bus and every train.
It’s a strange thing reading the book after finding the scene rather than the other way around, I think. Even though the book is not precisely how everything works in real life, it still gave me a little bit more objectivity when thinking about real-life Taqwacore. Before reading the book, I had the idea that everything was perfect and everybody loved each other. But that may not necessarily be the case and I don’t know because I’m kilometres away from where it all began. I’m still new to it all so I think that objectivity helps.

I hope that I get to meet all these people in the near future and I fucking pray that I’ll get to even play some shows with them. I don’t usually say things like this because I don’t like to impose religion onto anyone but I feel it’s appropriate: maybe Allah decided it was time I found someone to relate to.

–Stono Caves (http://edgeofyourbed.blogspot.com)


December 11, 2009

The Taqwacores at Sundance!!

Donate to help the Taqwacores get to Sundance here:

http://taqwacores.chipin.com/the-taqwacores-at-sundance

Last week we received word that THE TAQWACORES (www.punkislam.com) was accepted into the 2010 SUNDANCE FILM FESTIVAL. A few years of hard work has made this almost impossible dream into a reality.

Now–we need your help!

As an ultra low-budget film, we need to quickly raise funds in order for us to get to Sundance. Unfortunately, Sundance does not help with our expenses. We must raise the money all by ourselves.

Here are the things we are raising money for:

1) A Professional Publicist
2) Marketing Materials (Posters, Zines, Flyers, etc)
3) Events (Punk Shows, Book Readings, etc)
4) Accommodations (Cast and Music Bands)
5) and too many others to list!

With that in mind, we kindly ask all our TAQWACORE friends to help out!

Please chip in anything… everything adds up! Those who donate $50.00 or more will receive an autographed poster of the film.

And for those interested, we are lining up sponsors for some of the events listed above. You can place your name or company on everything we do at Sundance.

Please spread the word and contact us with any sponsorship inquires.

Sincerely,
Eyad

Eyad Zahra
Producer/Director of THE TAQWACORES

December 3, 2009

DIY Damascus: Interview with Syrian punk band, Mazhott.

Everything is more complicated in the Middle East, even playing punk rock.

It’s difficult for us, punks in the First World, to really understand true love for punk. We’re spoiled. With somewhat cheap equipment, tons of places to play, and no one determining what you can say,  starting a band in the US is relatively easy.

This is Damascus, though. If you want to play punk, you need to really want to. The hand of politics is everywhere. Both US foreign policy and domestic law can make or break your band:  trade embargoes determine whether or not you can get equipment and censors make it difficult to speak about any real issues.  While the suffocating restrictions and obstacles are annoying, the fact that the punks exist is a testament to their perseverance.

In this interview, Rashwan, from Syrian band, Mazhott (Diesel in Arabic), shares their story about playing their brand of Arabic-infused, old school, pop-punk.  Keep reading →

November 26, 2009

Taqwacore Lyrics by Non-Taqwacore Bands

He said, “This is a Mecca.” I said, “This ain’t no Mecca man, this place is fucked.”

- Rancid, Journey to the End of East Bay

It should be no surprise to readers who’ve read my post on “Allah, Allah, Allah,” that I have a slight fascination with Muslim lyrics in non-Muslim places. After reading the above lyrics in Knight’s book, I got even more curious. Were there more?  Were there other Taqwacore-ish lyrics embedded in other punk songs by non-Taqwacore bands? I started digging around on youtube and created a UpDaTaqx playlist of the 20+ songs that I found. But I wanted to pull out some of the choicest pieces here.  I’m frankly amazed I hadn’t heard of some of these sooner.

I’ve always been a fan of The Vandals, but hadn’t heard of this song before.

And when I fight, I know he makes me strong
And when I die, I know I can’t be wrong
I know my only chance is, Allah! Allah! Allah! Allah!

Keep reading →

November 19, 2009

Rebel Warrior Poet

I was just reading Blue-Eyed Devil while my Genius Itunes played music that I never knew I had. This song just jumped on, the 2008 song Rebel Warriors by Asian Dub Foundation.

My ears perked as the open khobitah had recognizable words. It was in Bangla. I immediately went to the parents to ask them what it said.

“Oh! This is Bidrohi Kobi!” my dad said, as he looked over my shoulder at my laptop. Bidrohi Kobi is defined in English as ‘the rebel warrior poet’. “His name is Kazi Nazrul Islam. This poem is famous. They recite it all the time. He’s singing about being oppressed against the British back when it was colonized. He saying that we need to fight.”

I had been a little surprised. I knew poetry and language was a big part of Bengali culture, but the poet that I heard about repeatedly was the famous Rabindranath Tagore, known for his Nobel Peace Prize that he won for writing his epic poem Gitanjali. But I hadn’t heard of Kazi Nazrul Islam, who was the official national poet of Bangladesh.

“They both are well known,” my dad continued. “Almost all Bengali functions start with a poem by Kazi Nazrul Islam and a song and dance by Rabindranath Tagore.”

This poem that was sampled in the song above is Islam’s most famous one of all – written in 1922 (after he left the British army in 1920) and is called Bidrohi. A punk blogger said with regards to the words, “I can’t get over how Rock & Roll his words are. It’s Like Sabbath meets T Rex meets The Clash.” Keep reading →

November 2, 2009

Homage to Fearless Iranians from Hell!

There’s always an idiot on the internet. But this time, they were kinda right–KINDA. A lot of people have been commenting on Taqwacore videos around the internet, saying that we aren’t the first to do this. Although Taqwacore as a whole was not influenced by these guys, Kourosh from Vote Hezbollah was definitely rocking these guys when he created his band, as was I. Now, you should rock this shit too (if you aren’t already)….


From their first record (with Iranian singer), “Foolish Americans”


From the 1987 record, “Die for Allah”

Recognize the picture? Some of you may have shirts of this album cover. Kourosh was wearing a backpatch of it in one of the earlier news articles:

Kourosh Wearing a FIFH backpatch

In short, the created the terrorist schtick. They exploited people’s fear of Iranians after the ‘79 Revolution and the devastating Iran-Iraq war and made joke about it.

Enjoy.

November 2, 2009

Planet of the Arabs

October 31, 2009

Why has everyone forgotten about Iraq?

Just to give a little statistics behind a more in-depth post I’m thinking about posting in a few days, I thought I’d give a little background into why it’s bullshit that everyone has forgotten about the war in Iraq.

Don’t get me wrong, I’m not saying that the war in Afghanistan is not an important humanitarian crisis, and I’m definitely not saying it’s not violent. Indeed, since it has spilled over into Pakistan, it IS threatening to destabilize its neighbors. However, it is suspicious, though, that the focus of the entire American press is centered square on the country, meanwhile largely ignoring the larger war in Iraq. In fact, 251 times MORE so….

Here are some numbers:

At least 753,399 people have
been killed in Afghanistan and Iraq
since the U.S. and coalition attacks, based on lowest credible estimates.

Most recent update: September 11, 2009. This page is updated about once monthly.

About 251 times as many people have been killed in Afghanistan and Iraq than in the ghastly attacks of September 11, 2001. More than 108 times as many people have been killed in these wars and occupations than in all terrorist attacks in the world from 1993-2004. The 2004 report showed terrorism at an all-time high, and after numerous experts suggested that the wars in Afghanistan and Iraq were fueling the increase, subsequent reports have remained classified.

Keep reading →

October 29, 2009

Middle Eastern Punk Bands!

I don’t really want to say too much in this post, except that these are some bands that i think need some much needed attention. Recently, there was a post about rock bands from Pakistan and their plight, so here’s to the kids that are dodging the secret police (mukhabarat) just to play some punk:  Keep reading →

October 17, 2009

Redefining Punk, My Way

Real punk is gutter punk, the kind of punk where you go dumpster diving for your next meal, are straight edge until you find a the tail end of a joint on the ground to smoke, and wear the same black jeans and metal studded jean vest with black and white patches of your favorite extinct 1970s crust bands. This is what real punk is supposed to be, right? Live in the streets, fight in the streets and died in the streets. We don’t vote, we believe in anarchy. We don’t give a fuck, we are punk rock.

I always found this contradictory because to me, the people I saw in punk spaces were primarily white. Contradictory because to me, white people epitomized privilege. And how real could ‘gutter’ punk be, if they were white?

When I first started going to punk shows, I thought the music was wild. I was in my teens, it was the late 90s and ska/punk fusion was just about to blow up in Southern California. It was right before OC punk manifested into OC punk, back before Warped Tour became pop and back when Incubus, Hoobustank, Dashboard Confessionals and Blink 182 were opening acts to Homegrown, Goldfinger, The Ataris and Save Ferris. Back when Fat Wreck Chords was the only label I bought from and Travis Barker was still the drummer for The Aquabats.
Keep reading →